And now, the 2022 PEFF Silent Films

Did you think the short film list included all our films? Ha! We have only just begun! In addition to the delightful shorts that will be playing at the SIFF theater, we are also thrilled to present a silent film collection! The Pan Eros Film Festival’s Silent Film Program will take place on April 29 – May 1, 2022 at the Seattle Erotic Art Festival.

Body Positive by Merrique Marie-sainte (USA)

A journey through self love and just feeling dang sexy in one’s skin.

THE CREAM by Jean-Marie Villeneuve (France)

Gilbert, a quirky young man, is out for a Sunday jog in the forest. When a muscular, athletic man passes him at tremendous speeds, Gilbert is left confused, curious and ultimately aroused by his secret.

Big Foot by Ana Cavazzana (Brazil)

An experimental video that shows a timeless relationship through the foot dance between two women in the bath.

Wake Up! It’s Yesterday by Julieta Tetelbaum (Argentina)

‘Wake Up! It’s Yesterday’ is an existentialist-queer-feminist short film directed by Julieta Tetelbaum. It was filmed in New York City during the pandemic in 2020. ‘Wake Up! It’s Yesterday’ is a journey to the mind of a cotton candy vendor on her way home from work.

Malvarma by Joaquín Vallet (Spain)

Sex. The fear of sex … and death.

The Kiss of Carnival by Raniere Figueiredo (Brazil)

A timeless assemblage in slow motion of kisses from in-love revelers in the middle of the Rio’s Street Carnival, Brazil.

Ver-saill-ce by Jesse Lovejoy (USA)

A celebration of sensuality and regality, “Ver-saill-ce” takes inspiration from old, over-the-top perfume advertisements to paint a picture of royal decadence with a hint of spring fever. Imagine – you lay your eyes upon her – The Queen of the Palace. Will you be able to resist her famous charm?

#RespectHerSex by Heather M (USA)

RespectHerSex: the Erotic Drama, is a short film that explores one woman’s sex and sexuality. The film is a glimpse into the intimate and erotic world of a the main character as she engages with her partners, balances the demands of life and sex, communicated through a series of text message conversations. The film’s premise challenges traditional, normative ideas that are the basis for how society has socialized women with regard to sex and sexual expression. It encourages the audience to consider a much different perspective.

The Silent Movie by Slawomir Milewski (UK)

An experimental film.

A Sunday Hike by ScumTrust Productions (USA)

Follow Alistair into the woods as they stumble upon Saira and their coven. Rituals of carnal pleasure ensue.

Baiser (Kiss) by Mark Reynolds (USA)

Love is a squishy, slightly sticky thing.

Eclipse of My Heart by Anzhelika Ustymenko (Ukraine)

It’s still dangerous to be queer in Ukraine.

SILVER by Lily Lu and Dirty Dreaz (Germany)

One SILVER toy and a bunch of kinky dreadheads. Sensual and playful color explosion. It’s a super short ‘experimental queer’ clip. A variety of genders and sexualities smashed together into a brightful mix of colors and smiles.

Jaguar by Witalo Costa (Brazil)

In the middle of the Amazon forest, a young woman performs a ritual to approach its venerated entity, the Jaguar.

Eiphorium by Maria Tsvetkova (Russia)

The plot is created from several storylines, all characters are craving to understand their desires, trying to understand themselves, tearing between “YES” and “NO”.

mother of pearl by Moonyeka (USA)

mother of pearl is a visual + embodied labyrinth exploring the ritual and process that shelled creatures (mollusks, oysters, abalones) undergo when parasitic energies enter their environment. This exploration exalts the transmutation of irritants, exploitatives, and violent parasites into reclaimed ornamentation, adornment, and celebration.

the shore by Eirini Tampasouli (Greece)

the shore was shot in the northern part of Syros Island, where access is possible only by walking. I stayed there for some days, sleeping outside, completely alone. The last day I started filming my activities, my face, the environment and my exposure to it. Slowly, I started realizing that a movie is being formed. This movie is nothing more than what you see.

Lengua by Jessie Sparkles (USA)

This moody kitchen scene will leave you wanting seconds, so save your appetite!

Switching Channels with Monsterbait by Monsterbait (USA)

A blue collar worker comes home to relax with a beer but opens the wrong can instead and starts to transform into a horny ape as he flips through the TV.

Darling, It’s My Birthday by Claudia Collett (UK)

Happy Birthday? The original production by Claudia Collett, inspired by Pesso Boyden Therapy.

Naked Broken Wall by Johannes Gérard (Taiwan)

The work focuses on dance and performance movements using a wall as a stage set. It’s a work based on improvisation of body movements and the surrounding space.

Soylent Green by Patrycja Toczek (France)

In the video, Patrycja films the painful banality of an everyday love, between two or more people, would they be artists, muses, statues, or all at once. Callas sings about the difficulties of feeding the flame with the ashes of a burning society, while Patrycja gets tender with her subjects, placing them outside of the gender binary and inside of an emotional storm that eventually becomes the only topic that matters. Diamanda Callas is in drag and out of drag without trying to stage any focus around their gender identity, while Patrycja Toczek focuses on the real and only drama at play: the baroque and mundane story of a fading love.

Useful by Paloma Vázquez (Spain)

Freedom is when we talk about ourselves without the others. When we find ourselves, empty, in uncertainty looking for a place that belongs to us, which contains an ocean turned into shifting lands by lack of water. Because we don’t breathe, we just swallow.

We feel ourselves in nature, we talk in solitude.

Waiting by Lucio Massa (Italy)

A mysterious woman is waiting for her destiny.

Selfportrait by Maria Kazvan (Ukraine)

I always think about death. Realizing the fact that we all are going to die gives me power to move and fight my fears.

I was made with clay that became alive. Then, this clay will die. I was made out of clay and will be turned to dust again.

I am Earth. I can create new life too. I am passion, ideas, energy, sex. My body grows, blooms. My body is changing while I am alive. It will continue changing after my death. Therefore, it is dying all the time.

When I die my body will continue changing. They will give chance to other types of life, like bugs and worms, bacterias. Every type of my physical being is creating life.

Conclusion is – everything around is life and is alive. Even death is life.

Neoidilio by Blas Zanella (Argentina)

What do two become when there is no possibility of being one?

The passage of time in confinement mutates them without consent. They are already from the future, but they don’t know it yet.

Their bodies cannot get out. And their minds? His emotions? They run away and manifest themselves as best they can, trying to escape that past, outside. But no. Indoors. They keep bonding. This is no time to leave that home.

Perestroika by Lars Kollros (Austria)

A film about playing with the earth, playing with the earth and playing with gender. Devoted to all people who dared to transit or practice playing with gender on a daily basis and all people that cannot imagine a transition at all. An earthy illustration of a metamorphosis.